#Instrumental Music

Guitar Goddess Gretchen Menn joins Live From Music City!

GretchenMenn

Photo by Max Crace

 

Guitar Goddess Gretchen Menn joined Live From Music City to talk about the music business, her CD “Hale Souls” and her other projects. Listen in as she talks about image, haters and the struggles of being an instrumental artist.

Interview here: Live From Music City with Guest Gretchen Menn

 

BIO

Apart from demolishing her mother’s violin with Pete Townshend-like vehemence at age three, Gretchen’s passion for all things guitar didn’t fully surface until her early teenage years. It was under the tutelage of classical guitarist Phillip de Fremery, a student of Andrés Segovia, that Gretchen began her path on the instrument. Her father, noted writer and former editor-in-chief of Guitar Player Magazine, Don Menn, was quick to point her in the direction of the greats as soon as she expressed interest in guitar.

While earning a degree in music at Smith College, Gretchen’s adventurous approach to her education would foreshadow her approach to the guitar. She convinced a professor to allow her to launch a special studies project on the intricate and unclassifiable music of Frank Zappa. Her analyses of “The Sheik Yerbouti Tango” and “The Girl in the Magnesium Dress” showed a love for epic, melodic, genre-shattering rock and roll composition that would manifest later in her original instrumentals.

After college, Gretchen began heavily incorporating her love of rock guitar into her daily regime, the only hitch being that the music of her rock gods, Steve Morse, Eric Johnson, and Frank Zappa, wasn’t exactly Guitar 101. She also began considering her career path, and how she might prevent a situation she sought to avoid: tainting her love of music with the necessity of paying rent.

The solution? She went directly from college to flight school, and two years later was flying regional jets for the airlines. Yet Gretchen was never without her guitar.

After a year in the jet, with the life of an airline pilot being more than a little incompatible with a career in music, Gretchen relinquished her position with the airlines, knowing that there was a pilot out there somewhere who would appreciate the opportunity. She decided to take a more direct approach to realizing her musical dreams.

Playing with tireless passion and constantly seeking out new challenges, Gretchen’s projects have spanned the genres of jazz, funk, rock, progressive, and metal. In 2003, she donned a schoolboy uniform and joined AC/DShe as “Agnes Young.” In 2005, she joined forces with drummer, Clementine, to form Zepparella, currently with singer Noelle Doughty and bassist Angeline Saris. In 2007, Gretchen formed Sticks and Stones, the high-energy, instrumental “bassless power trio” with guitarist Mickael Tremel and drummer Sam Adato. In 2010, she played in Lapdance Armageddon, an aggressive acoustic duo with Jude Gold. In 2011 she wrote, produced, and recorded her first solo album, Hale Souls, which features bassist Stu Hamm, drummer John Mader, violinist Emily Palen, and guest artists Angeline Saris (bass on “Scrap Metal”), Jude Gold (second acoustic guitar on “Fast Crowd”), and Gretchen’s sister, Kirsten Menn (soprano on “Fading.”) Gretchen’s solo project, a trio with Angeline Saris on bass and Thomas Perry on drums, played their first shows in November of 2011, and will be starting to tour more in 2012.

Discography:

GRETCHEN MENN

Hale Souls (Mach Zero Records, 2011)

LAPDANCE ARMAGEDDON

Lapdance Armageddon (self-released, 2010)

FRANCIS BAKIN

Conversation with Francis Bakin (self-released, 2009)

STICKS AND STONES

Unbreakable Strings (self-released, 2007)

THE HOUSE OF MORE

The House of More (self-released, 2006)

ZEPPARELLA

Live at 19 Broadway (Bonny Boy Records, 2005)

A Pleasing Pounding (What Are Records?, 2008)

www.gretchenmenn.com

https://www.facebook.com/#!/GretchenMennGuitar?fref=ts

https://twitter.com/gretchenmenn

http://www.youtube.com/gretchenmenn

 

Gretchen Menn Joins Live From Music City!

GM_BW-full

Photo: Mark Manion

 

Apart from demolishing her mother’s violin with Pete Townshend-like vehemence at age three, Gretchen’s passion for all things guitar didn’t fully surface until her early teenage years. It was under the tutelage of classical guitarist Phillip de Fremery, a student of Andrés Segovia, that Gretchen began her path on the instrument. Her father, noted writer and former editor-in-chief of Guitar Player Magazine, Don Menn, was quick to point her in the direction of the greats as soon as she expressed interest in guitar.

While earning a degree in music at Smith College, Gretchen’s adventurous approach to her education would foreshadow her approach to the guitar. She convinced a professor to allow her to launch a special studies project on the intricate and unclassifiable music of Frank Zappa. Her analyses of “The Sheik Yerbouti Tango” and “The Girl in the Magnesium Dress” showed a love for epic, melodic, genre-shattering rock and roll composition that would manifest later in her original instrumentals.

After college, Gretchen began heavily incorporating her love of rock guitar into her daily regime, the only hitch being that the music of her rock gods, Steve Morse, Eric Johnson, and Frank Zappa, wasn’t exactly Guitar 101. She also began considering her career path, and how she might prevent a situation she sought to avoid: tainting her love of music with the necessity of paying rent.

The solution? She went directly from college to flight school, and two years later was flying regional jets for the airlines. Yet Gretchen was never without her guitar.

After a year in the jet, with the life of an airline pilot being more than a little incompatible with a career in music, Gretchen relinquished her position with the airlines, knowing that there was a pilot out there somewhere who would appreciate the opportunity. She decided to take a more direct approach to realizing her musical dreams.

Playing with tireless passion and constantly seeking out new challenges, Gretchen’s projects have spanned the genres of jazz, funk, rock, progressive, and metal. In 2003, she donned a schoolboy uniform and joined AC/DShe as “Agnes Young.” In 2005, she joined forces with drummer, Clementine, to form Zepparella, currently with singer Noelle Doughty and bassist Angeline Saris. In 2007, Gretchen formed Sticks and Stones, the high-energy, instrumental “bassless power trio” with guitarist Mickael Tremel and drummer Sam Adato. In 2010, she played in Lapdance Armageddon, an aggressive acoustic duo with Jude Gold. In 2011 she wrote, produced, and recorded her first solo album, Hale Souls, which features bassist Stu Hamm, drummer John Mader, violinist Emily Palen, and guest artists Angeline Saris (bass on “Scrap Metal”), Jude Gold (second acoustic guitar on “Fast Crowd”), and Gretchen’s sister, Kirsten Menn (soprano on “Fading.”) Gretchen’s solo project, a trio with Angeline Saris on bass and Thomas Perry on drums, played their first shows in November of 2011, and will be starting to tour more in 2012.

Discography:

GRETCHEN MENN

Hale Souls (Mach Zero Records, 2011)

LAPDANCE ARMAGEDDON

Lapdance Armageddon (self-released, 2010)

FRANCIS BAKIN

Conversation with Francis Bakin (self-released, 2009)

STICKS AND STONES

Unbreakable Strings (self-released, 2007)

THE HOUSE OF MORE

The House of More (self-released, 2006)

ZEPPARELLA

Live at 19 Broadway (Bonny Boy Records, 2005)

A Pleasing Pounding (What Are Records?, 2008)

www.gretchenmenn.com

“Cry For You” – or the Problem with America Ignoring an Amazing Music Genre

By David Lowry

One of the blessings my job allows me to do is work with amazing musicians like Rob Balducci, Dave Weiner and Jon Finn. Having been a guitar player for almost 30 years and going to music school to be the next Steve Vai,(which obviously never happend) I have a special affinity for listening to guitar instrumental music. It really helps me to focus on my work and really dig into whatever I am doing at the time. This blog may center on this genre but it applies to all genres of music that get ignored by mainstream radio and TV. I have also interviewed many of these artists mentioned in this blog on my radio show “Live From Music City” and really have a strong desire to bring this form of music back to the masses as the music is incredible and deserves as much attention as any other genre of music.

Andy Timmons recorded a song called “Cry For You” that in my personal estimation is one of the best instrumentals ever recorded. It has a haunting melody that just sucks you in and makes you fall in love with it. It reminds of a person I once loved and although that brings a deep pain for me, it also reminds me that this genre of music holds the same ability to carry that emotional quotient that any other genre of music does. The songs that shape our lives should include all genres of music not just what’s on the radio, TV or being hyped by the powers that be. I recently did a review of Andy’s new cd “Andy Timmon’s Band Plays Sgt. Pepper.” I also reviewed Neil Zaza’s CD “212.”

These musicians have found a way to bring us music that doesn’t need vocals or lyrics because their instruments do the talking for them. They bring us music that can still capture our hearts, soul and imagination and most certainly shouldn’t be over looked or passed by just because it doesn’t have lyrics attached. Just like any other form of music you have some artists that are better than others, better songwriters, performers or improvisers, but if you just close your eyes and listen, you will be transported away by beautiful melodies, moving pieces and moody progressions that take us to new emotional places. Some times words aren’t enough to express the way we feel, but you can hear what you want to say in this music or other forms like it.

I encourage you to listen to instrumental music, jazz, fusion, funk, classical or whatever form of music you don’t normally listen too. Learn to listen with new ears and develop a new musical appreciation and understanding of pure musicianship that you normally don’t get in most pop music. Don’t be limited to what you hear on the radio or what’s force fed to you by those with the money and power to make it happen. With all the new music streaming services you can find any genre of music and test-drive it before you buy it. If you do like it please buy it and spread the word about the new music you discovered. Don’t let preconceived notions about what music is or isn’t keep you from discovering a new style of music that may free your mind, your playing or your feelings. As musicians we should always be expanding our listening range and really be able to incorporate the new things we hear to enhance our own playing or writing skills.

In other parts of the world this is a very popular genre. Many countries or continents don’t suffer the same form of genre ignorance that we do in America. To much of the world good music is just that, good music and it doesn’t matter the genre or era it came from. They don’t classify music the way we do in America and because of it, they are more well rounded in their listening tastes and many artists can make a living over there as opposed to not being able to here. Expand your boundaries and listen to amazing musicians that can create melodic landscapes in your mind that the average musician on the radio can’t.

Here is a list of amazing guitar musicians for you to check out in no particular order. Andy Timmons, Steve Vai, Eric Johnson, Tommy Emmanuel, Jon Finn, Neil Zaza, Steve Morse, Carl VerheyenDave Weiner, Michael Lee Firkins, Joe Satriani, Rusty Cooley, Rob Balducci, Guthrie Govan and Shaun Baxter. Obviously there are so many more like Andy McKee or Gretchen Menn that have really popped in the last couple years but this is a good start to finding people who have mastered their instrument and have learned how to write songs that reach you just like any other pop song would.

Good luck in your musical exploration!

Note: The Lowry Agency is affiliated with Rob Balducci, Dave Weiner and Jon Finn.

David Lowry is the President of The Lowry Agency, a full service artist management agency that works with musicians, speakers, entertainers, actors and models based in Nashville, TN. David manages and or books the musical careers of Brother Cane, Damon Johnson (Brother Cane, Thin Lizzy, Alice Cooper), Rob Balducci, Dave Weiner, Jon Finn, Kris Bell and Mindset Defect. For more information please contact The Lowry Agency at http://www.thelowryagency.com.

Andy Timmons Band Plays Sgt. Pepper CD Review

 By David Lowry

Strawberry Fields Forever

Having had the pleasure of interviewing Andy Timmons a couple times on my radio show and soon to be a third, meeting him, watching him perform live one of the most amazing displays or guitar virtuosity I have ever seen and having been a fan since his Danger Danger days, I was really looking forward to the release of “Sgt. Pepper.” I wanted to see what Andy was going to bring to the table that could top his previous efforts. After all, when you are one of the most highly touted guitar players in the world, the bar is set pretty high for everything you do. I am pleased to say that Andy never lets me down and has surprised and delighted my ears once again. His interpretation of the classic Beatles “Sgt. Pepper’s Lonely Hearts Club Band” is simply one of the finest guitar instrumental albums if not the finest guitar instrumental album I have ever heard.

Andy brings a new life to an old classic that for many of us is very iconic and very set in a place and time in our lives. No one needs to state the importance of the Beatle’s music in pop music culture, but for Andy to risk taking on such a classic well loved album and being set up to have the “Beatles” purists take shots at him for doing this takes a lot of confidence. If you knew Andy, you know what a laid back, friendly and downright incredibly nice person he is. He always makes you feel like you have been friends forever and in so doing that, there never comes across any sense of arrogance in his demeanor in his personality or his playing that you might find with someone with such a uniquely incredible talent and skill.  In saying that though, once Andy picks up a guitar, it’s like hearing it for the guitar first time again. You get those chills and that wow factor like the first time you heard Hendrix, Page or Van Halen. The ways that Andy makes his instrument sing, you completely forget there is no vocalist there. His use of tone and dynamics help to transport the listener to a new place and Andy makes statements with his playing that are so creative and refreshing to your ears, that most other guitar players vocabulary pale in comparison and the kicker is he does it without you even realizing that he is playing one guitar, no vocals, no layers and no tricks. He imparts magic in the instrument that just wraps you up like a warm blanket and delivers eargams after eargasm like you have never heard from another guitar player.

Andy’s effort on “Sgt. Pepper” is nothing less than beyond extraordinary. It is completely musical, melodic and he did it all from memory. That just boggles the mind to us average musicians. He covers 14 songs from “Sgt. Pepper’s Lonely Hearts Club Band,” “Lucy In The Sky With Diamonds,” “When I am Sixty-Four” and of course the bonus track “Strawberry Fields Forever.”  This is by far one of my favorite guitar instrumental albums of all time and for sure to be a classic in the genre. If you love music, the “Beatles,” melody, guitar and listening to someone that has full command of his instrument, then this is the CD for you.

You can order “Sgt. Pepper” on Andy Timmons website www.andytimmons.com.

At the time of this writing, The Lowry Agency has no affiliation with Andy Timmons or the Andy Timmons Band.