May 2011

Rob Parissi of “Play That Funky Music” fame on “Live From Music City.”

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes Rob Parissi (http://www.robparissi.com) to discuss his long-lasting and hugely diverse music career.
http://www.prlog.org/11512550-rob-parissi-of-play-that-funky-music-fame-on-live-from-music-city.html

No More Excuses!

No More Excuses!

I Lie In the Bed I Make

When I go out and watch live music, I try to be as anonymous as possible. I don’t go in telling people what I do or trying to impress anyone. I stay very quiet. I watch everything, listen to everything and notice everything. I observe very intently the musicians and how they perform, how they interact with the crowd, how they market themselves and their merchandise booths.

I am going to break this blog down a bit and address each of the above as it is all very important. This blog will be very to the point as I don’t believe in holding back and pampering people. Most of the people I run into say they have been doing this for so many years. Well if that is the case then why don’t learn from those years? Why don’t they do some research and figure things out to change the state of their current situation as an artist or a band?

One of the things that really prevail among most musicians is an attitude that the city/scene or people hold them back; that they or their band are better than everyone else’s and if someone would just give them a chance they’d make it. Granted, some cities have more dominant scenes for certain genres than others and that can provide an obstacle but that is never an excuse, it is just an obstacle to be overcome.

No one is out to stop you from making it and there aren’t any evil overlords who try to hold you back. People and politics really don’t come into play until you have made a real “buzz’ in the scene. Until then, the only thing holding you back is you and your effort, whether you are a solo artist or a band.

As I watch musicians promote their shows on social media or in person, I have to say most of the time — and I mean 95% — it is pretty pathetic. It’s always pretty much one person doing all the promoting. Most band members barely or don’t even promote on their own Facebook profiles. If they do, it’s just a couple of hours before a show, so no one even knows about it, or it’s too late to make or change plans. This is so absolutely ridiculous and there is no excuse whatsoever for it to happen. They don’t even click the “like” option on most of the posts made about them or by other band members, limiting the amount of impressions that can be had. How do people expect to make it if they won’t even promote themselves? Really?

Being in a band and telling everyone how you want to make it and make a career at it means EVERYONE has to promote ALL THE TIME. Not everyone will agree with me here but in my honest opinion, if you don’t, you have no business being in the band. You are doing nothing but holding them back. A band is a team effort; it is everyone’s responsibility to promote the music, shows, websites etc. If you aren’t willing to step outside your comfort zone and help, then step aside and let someone join the band who wants it enough to work for it. Quit posing and pretending you’re something you’re not, which is hungry and wanting to make it.

I never, ever see local bands handing out fliers for their shows. They complain about how the scene doesn’t change, yet no one is enticing new people to the shows. They sit around at the venue before the show getting stoned or hanging with the same people they always talk to. Here they are, downtown, on a strip that is completely packed with tourists all night long and they are hiding out in the venue. How does a band or solo act expect new fans when they do very little or nowhere near enough to promote? How do they expect a scene to change when they do nothing to change it?

When new people, or even old fans, don’t show up for concerts, the only ones to blame are the band. The venues advertise, the promoters advertise and do better for multiple acts even if they have no budget but the bands do almost nothing. You know what you get when you do nothing? Nothing! Get off your lazy butts and make it happen. Stop making excuses. Don’t tell me or anyone else “It’s not my thing,” or “I don’t understand how to do it.” Learn! All the resources are there and mostly free. You have no excuse whatsoever. You yourself are to blame not anyone else.

When watching the artists or bands in the crowd, they usually don’t work it at all. They talk to their friends but never approach those new people they don’t know or try to get them to stay and check out their music. They don’t engage them and develop any rapport to bring in a new fan. It is so absolutely crazy. Never have I scene such a poor job of this as of late. It’s like social media has made people forget how to be social. You are in the entertainment business. You better learn how to entertain and talk to people. It is a pre-requisite.

When I watch them on stage, their engagement with the crowd is also pretty bad. I admit, Nashville is a harder crowd, but that doesn’t matter. You should be working on your stage show at all times and getting ready for other gigs in other cities. Quit worrying about your buddies and their bands that are there. It’s your show while you are on stage, OWN it! You are supposed to be separating yourself from them, proving you have the “it” factor. Quit being like everyone else. Quit spending half your time with your back to the crowd. Quit acting like you are bored. Every gig is the most important gig of your life. You have no idea who is watching you or what opportunity could come out of this performance.

Bands need to invest in themselves. Purchase banners, poster boards, decent merchandise, and whatever else you need to grow your brand and show your professionalism, to make an impression and prove how much you want it every single time. You have to be the one the crowd remembers the most. Have people walk the crowd with your merchandise and sell it. Always have your merchandise booth manned at all times. Make sure people are wearing your shirts, especially your merchandise booth personnel. Make sure your people load and unload as quickly as possible to keep the flow going and limit the number of people who leave because you take too long to get set up. It amazes me how this isn’t completely obvious to people.

In this day and age of the artist/band being on the same playing field as everyone else, everyone has the opportunity to have the same technology, same distribution and the same marketing abilities. Truly the only thing holding you back is you and the level of effort you are willing to put into this dream of yours. So please stop making excuses and start making it happen!

Good Luck!

American Pop-Rock Musician/Singer/Songwriter/Record Producer Tommy James on Live From Music City

“Live From Music City,” a weekly radio show that airs on Tuesday nights at 8:00 pm CST on blog talk radio (www.blogtalkradio.com/live-from-music-city), welcomes American pop-rock musician, singer, songwriter and record producer Tommy James (http://www.tommyjames.com) to discuss his music career.
http://www.prlog.org/11498735-american-pop-rock-musiciansingersongwriterrecord-producer-tommy-james-on-live-from-music-city.html

Keeping The Pace: Surviving VO Technology

KEEPING THE PACE:  Surviving VO Technology

by Dave Courvoisier, The Lowry Agency Voice Over Talent

Ever since the worm turned and the “old way” of doing voiceovers became the “new” way of doing VO business, it’s been tough to keep up with the march of technology.

For decades, talent living in major metro areas reported to various professional studios, auditioning in person, and surviving on an agent/union paradigm.  This still happens to some extent today, mostly in NYC and LA.

ISDN survives too, although people have long been predicting its demise.  Such will be the case for many years, while the business of voice overs moves through its fits and starts, ever-changing with the times and the technologies.

In the meantime, an emerging wave that comprises the lion’s share of voice over work in the 21st century occurs in private studios all over America.  These are studios typically built by the talent themselves, and populated by equipment cobbled together using whatever knowledge and resources they have.

In addition to the process of recording and sending sound files, much of the rest of the business of voice overs is also conducted online, or at least on a computer, often by one person – the voice over talent.

That means the process of marketing, promoting, advertising, accounting, bookkeeping, mailing, invoicing, editing, and follow-up all occurs in a digital world.  That’s not necessarily a problem, but that world keeps changing and developing at a break-neck pace.

So, the question:  how to keep abreast of the changes that will make up the new paradigm of VO, and what changes are those?

Clearly, Social media is not only one of those new technologies, but also the one that helps you understand the OTHER changes taking place in the industry.  Why?  Because Social Media sites that cater to voice-over business people personify the stream-of-consciousness that keeps you in-the-know.

FaceBook, Twitter, online forums, LinkedIn, YouTube, and ning sites like VoiceOverUniverse now make up the new (and continuous) Town Hall Meeting where people share, engage in Q&A, comment off-the-cuff, and create conversations and relationships.

Those online sites are typically where you will first see notice of new equipment, where to buy, how much it costs, and how to use it.  Consider, for instance, the weekly EWABS online video webinar conducted by George Whittam and Dan Lenard.  EWABS stands for East-West Audio Body Shop, and the hour-long Sunday evening event is free, and can be viewed on UStream effortlessly.

Newsletters, blogs, and teleseminars on equipment and services abound in the VO world these days (see http://courvo.biz, for instance).  LinkedIn VO Groups have thousands of subscribers (see:  Working Voice Actor Group administered by Ed Victor), and FaceBook has a number of extremely active VO Groups (see: Voice-over Friends, administered by Dave Courvoisier, Voice-Over Pros, administered by Terry Daniel, and Voice Artists United , administered by Chris Kendall – among others).

While many of these sites could be termed “niche”, they are also welcoming and inclusive.  ‘No such thing as a “dumb question”, and newbie concerns are encouraged. J

Even more so, a Yahoo Group that caters to VO professionals has been going strong for years, and has an active, and highly-regarded membership that knocks around issues that range from equipment to software, marketing, demos, and freelance rates.

So how do you keep up?  Join. Belong. Engage in the conversation.  Pay-it-forward, and you will receive in return.  Ask questions.  Provide answers.  Be a part of the community, and enjoy the benefits of association with like-minded souls.  Everybody has something to give in the milieu of online discourse.

Success….At What Cost?

Success…. At What Cost?

by David Lowry

“Everyday” – Damon Johnson

“And the work I put between us, doesn’t keep me warm” – “The Heart of the Matter” – Don Henley

One of my goals with my blog is to not only touch on the business end of things, but also the emotional side of things. This dream you are following has a strong emotional tie to it and usually the people around you, especially your significant other or those closest to you. Something that we managers sometimes have to deal with and that no one really thinks about is the price one pays for being in the entertainment industry. All of us who chase a dream often have to sacrifice so much to achieve it, just make sure it is worth the price.

This blog is going to be a one sided look at this topic as there are so many variables to consider her such as a jealous significant other whether it be of other people or of the career itself. We aren’t going to cover that here, what we will cover is assuming that you have a good stable relationship with the love of your life, what can happen to that when you are willing to sacrifice that for a dream, especially a dream that is nowhere near coming true.

When you are an entertainer of any kind, so many issues can pop up such as jealousy, never being home and not being able to spend enough time with the one you love. In a relationship, both people sacrifice so much for one person’s dream to come true and the person who is pursuing the dream needs to keep this in mind at all times. A very serious effort needs to made to spend time together and not get lost or wrapped up in the dream so much that you emotionally abandon the one you love or that you are willing to sacrifice this person who you say you love more than anything for a dream. It is very hard to be successful at anything without the support of the one you love. It can make or break you sometimes. You know the old saying “Behind every great man, is a great woman.” or vice versa. This holds true especially in an industry that is mostly negative and involves a lot of rejection. It is also my personal opinion that success on any level really means nothing without that special someone to share it with. I have been there and for me at least it falls utterly flat in feeling compared with my being able to share it with the love of my life. Remember that your dream won’t keep you warm at night, it won’t hold you and tell you everything is alright when things are at their worst and it won’t take care of you when you are sick.

Hopefully you have a relationship where you are both on the same page and you both want the other to succeed and are completely supportive. If this is true, then with good communication then you can make it through anything. Keep your eyes on the prize, but as a team. You as the entertainer need to decide what is more important, your dream or the one you love. If it’s the dream then tell the other person now. The three most important and destructive words in the english language are “I Love You.” Don’t say this if you don’t mean or can’t act on it EVER, it doesn’t matter who you are talking too. You are just going to hurt them more when the truth comes out. Don’t let it be a shock down the road to this special person if you decide to leave them for an entertainment career as this person has most likely sunk everything they have emotionally and probably financially into you. If the dream is more important than this person, than this probably isn’t the love of your life. You may care about them, but the love of your life is one person you would sacrifice anything for including your dream. Take it from me, nothing is worse than losing the love of your life. It’s not worth it.